The latest on Pussy Riot: Formerly imprisoned members Nadezhda Tolokonnikova and Maria Alyokhina are coming to New York to talk about political prisoners for an Amnesty International event. Despite Putin’s attempts to silence them, Tolokonnikova and Alekhina remain unwavering in their commitment to social change. Journalist Masha Gessen’s recently published book Words Will Break Cement: The Passion of Pussy Riot is at the top of my must-read list.
More riot grrrls: Dazed has an excellent A-Z guide to the women who stomped through the 90s, from Allison Wolfe to zines. Love it. (That’s an expression of my love and a demand for yours.)
Art I’m into right now: Lindsay Bottos offers a clever, artistic response to gendered online harassment. ONOMOllywood, an exhibition from photographers Antoine Tempé and Omar Victor Diop, features iconic film shots re-imagined in Dakar and Abidjan. (It’s sort of an ad campaign for a hotel chain.) The photographs Ibi Ibrahim will soon be showing in the Art14 London Art Fair are a sex-positive response to conservative Islam.
From 6 minutes to 24 hours: Tired of being expected to play a terrorist, Iranian-American actor Jemilah King made a short displaying Hollywood’s narrow view and her much broader abilities. If you’ve got more time, the Global Lives Project curates a collection of films that “faithfully capture 24 continuous hours in the life of individuals from around the world.” It’s a work in progress devoted to cultivating empathy, and there’s a two-week unit for educators to use.
Creativity in places you aren’t looking for it but should be: Women’s World Summit Foundation is seeking nominations for the 2014 Prize for Women’s Creativity in Rural Life, emphasizing sustainable development, household food security, and peace.
Do you watch television? I’m sure many of you don’t, and I get that. We don’t have cable because we’re not interested in being sucked into TV all the time, but we do watch some. We catch the big cable shows later on Netflix or DVD, and I watch a few network shows in addition to PBS. I often like to follow a good story and compelling characters while I’m knitting a scarf or folding my laundry or painting shutters (which we have too many of), so I don’t care so much about whether the medium is film or TV. Plus, television is a great place for women these days, far better than film.
I’m not going to pretend that these shows are ideal. Or that even their feminism is ideal. But I appreciate the changes I’ve noticed in television the past couple of years, especially the increased focus on narratives of women of color. It’s not just women actors who are benefitting from these changes. I’m also noticing more women writers and directors. Yes, women directed some of your favorite episodes of Breaking Bad and Mad Men. One of my favorites is Agnieszka Holland, who directed episodes of The Wire, Treme, and The Killing. Then there’s Deadwood, the filthy, brilliant western, with an unusually high number of shows written by women. Even if the popular cable epics aren’t strong on complex women characters–where’s our female Walter White, Don Draper, or Tony Soprano?–women are increasingly making decisions behind the scenes.
Here are a few of the shows I’m watching because they feature fantastic women characters, especially women of color, and they’re entertaining.
If you watch TV, how have you not become one of Olivia’s gladiators? It’s such a relief to see a strong black woman as the center of a show. Olivia Pope is a game changer for women in TV, a sharp, sophisticated political genius who fixes every problem Washington, D.C. throws at her. Her team will do anything for her, and men keep risking their careers to be with her. I tire of Olivia’s star-crossed love with Fitz (aka, Mr. President) because it occasionally turns her into a wobbly pool of jello, but all the other scenes make up for it. Plus, Olivia Pope, the fixer, is based on a real black woman, Judy Smith, America’s #1 Crisis Management Expert.
Have I told you how much I love Kerry Washington? She proudly identifies as a feminist and womanist, actively engages in politics, and talks wisely about important issues in interviews. And this season’s addition of Lisa Kudrow as Fitz’s opponent in the upcoming election is divine. As Congressperson Josie Marcus, Kudrow recently got to deliver a whopping, off-the-cuff feminist speech that shames the sexism of her opponents and the media so deliciously that it must be right out of Hillary Clinton’s fantasy world. It doesn’t hurt that the show was created by Shonda Rhimes, herself a black woman who happens to be one of the most successful show runners in the business.
Mindy Kaling didn’t just play Kelly Kapoor on The Office; she was also one of the writers and directors. Then she published Is Everyone Hanging Out Without Me? (And Other Concerns). And then she created The Mindy Project: she produces, directs, writes, and stars in this sitcom about Mindy Lahiri, a successful OB/GYN trying to figure it all out in New York. She’s the very first South Asian-American woman to have her own show. Her character is confident about her work, loves her body, and says what she thinks. And she’s Hindu. And she’s sex-positive.
Kaling and the show have had to deal with some backlash, and there have been some weird moments. But I’m holding on because there are many more smart moments and her character is really new and fresh. The show’s heavy on the cameos, but some of the best episodes involve Anders Holm, of Workaholics, as Mindy’s boyfriend. The two have great chemistry, and their tent scene in “Take Me With You” of Season 1 had me giggling for days. The Mindy Project also rescued Adam Pally, whom I’d been missing since Happy Endings was canceled.
Additionally, I love how Kaling has been calling out the sexist, racist, and image-obsessed media lately. She’s tired of being asked about her weight and her ethnicity instead of her work. If you need more of a reason to like her, check out Lena Dunham’s interview with Kaling for Tavi Gevinson‘s Yearbook 2.
This show is a total guilty pleasure. My sister and I text each other in the midst of it: “Did she really do that?” “But how is he alive?” “Noooooooo!” Like Scandal‘s over-the-top plot lines, Revenge is designed to be somewhat absurd. That’s what makes it fun, especially when Emily Thorne (Emily VanCamp) comes face to face with her nemesis, Victoria Grayson (Madeleine Stowe, who is active in women’s rights, by the way).
Emily is secretly destroying virtually every evil rich person in the Hamptons, and I love it when the girl next door kicks ass (see Buffy the Vampire Slayer). Now, I don’t normally like revenge stories because I think revenge is a useless concept, but this is basically an evening soap opera. And we frequently see the downside of vengeance with deaths and broken friendships. Emily comes complete with ninja skills, a mentor who trained her at a revenge school(!) in Japan, a British revenge companion, and an endless supply of complicated emotions.
One of the best parts of this show, however, is Nolan, Amanda’s closest friend, confidante, and partner in crime, played by Gabriel Mann. A tech genius and hacker, Nolan is equally sweet and sly, and he’s bisexual. Those around him treat his sexuality as completely normal, not batting an eye when he goes from pining over Padma to falling hard for Patrick. Yes, television, you can have characters with diverse sexualities and not make their stories all about said sexualities.
So what would you add to this list? Or remove?
It’s that time where we take a look at a few things we should learn more about, so let’s have at it.
I am obsessed with this collection of photographs from Nicola Ókin Frioli. Los muxes, gay men in the Mexican town of Juchitán, are beloved by the community. Families consider them a blessing, a good luck charm. They drink, work, and legislate in traditional Oaxacan dress: flower-embroidered blouses, brightly colored skirts, and scarves wound through long hair. Yet another reason I should figure out how to retire to Oaxaca.
When the subject of street harassment comes up, people usually argue about how best to deal with it. I’ve tried ignoring it, yelling back, giving the finger, and looking straight at them to ask why they think it’s okay to talk to women that way. David Cross has a hilarious joke about what these men might be thinking when they holler at us, but what I really want to direct you to are two women’s artistic responses to street harassment. In City of Brotherly Love, Hannah Price photographed Philadelphia men just after they harassed her. She captures an interesting moment; some guys look uncomfortable with the lens on them, while others don’t seem to care. Likewise, Tatyana Fazlalizadeh captioned her drawings of women with the things she wanted to tell harassers and then hung the posters around Brooklyn. They sparked a community conversation as people scribbled their thoughts in the blank spots.
Finally, Frieze Week–with two major art fairs and countless gallery openings–just happened in London, and it highlighted more African artists than the city had ever seen. Included as a Frieze Master was feminist artist Nil Yalter. Yalter’s photographs, drawings, paintings, and installations typically focus on aspects of the lives of women and immigrants.
for further exploration: frida’s love letters, playwright amy wheeler, feminist comics, artist larissa sansourPosted: August 26, 2013
A few things you should know about before you take this day any further:
- Frida Kahlo is one of my ultimates. Every move the woman made was pure art–paintings, clothing, homes, relationships, politics. Given the amount of physical and emotional trauma she faced, it’s amazing that she insisted on seeing life through so much color instead of turning to darkness. It turns out that she could have been a damn fine poet too. Somehow I had no idea that there were facsimiles of her diaries floating around (see The Diary of Frida Kahlo: An Intimate Self-Portrait, but, look, I hate to link to Amazon, so see if you can find it somewhere else). From this book, Brainpickings offers a few images of Frida’s letters to her husband, Diego Rivera, and they are divine. Here’s a peak [capitalization hers]:
“Nothing compares to your hands, nothing like the green-gold of your eyes. My body is filled with you for days and days. you are the mirror of the night. the violent flash of lightning. the dampness of the earth. The hollow of your armpits is my shelter. my fingers touch your blood. All my joy is to feel life spring from your flower-fountain that mine keeps to fill all the paths of my nerves which are yours.”
Reminds me of Pablo Neruda. Did they inspire each other? Someone research this and write a lovely essay on it.
- The Feminist Wire has an interview with feminist playwright Amy Wheeler. Wheeler talks about what feminism means to her creative work, how art can make an impact on social issues, and Hedgebrook, a retreat for women writers. Here’s an excerpt that echoes my own thoughts:
“I believe creative work is the way. Stories connect us and cause us to experience empathy, to imagine what it feels like to see the world through someone else’s eyes, or walk in their shoes. And this is key: we have to understand and believe that we are deeply, irrevocably connected; that we are more alike than we are different from each other, and that our interconnectedness is our strongest asset as animals on the planet.”
- Warning bells go off in my head and my belly immediately begins stoking dragon fire whenever I hear, “I’m a feminist, but….” Comics are safer than dragon fire, however, so feast your eyes on The Big Feminist BUT: Comics about Women, Men and the Ifs, Ands & Buts of Feminism. I’m not going to pretend not to notice that the afterward comes from the controversial Hugo Schwyzer, but don’t let it stop you from at least taking a look. It’s poignant and clever.
- The Association for Women’s Rights in Development (AWID, a fantastic organization) has an interview with Palestinian artist Larissa Sansour about art, activism, and censorship. If you want to learn more about her work, I recommend Falafel Road, Nation Estate, and Trespass the Salt. I will leave you with Sansour’s words:
“The issue of women’s rights is not only necessary to address for its own sake, but also because it opens a magnitude of questions as to how we perceive reality and why it is important to question the very system by which our humanity is constructed and by how we perceive things.
for further exploration: a play on foreign aid, a graphic novel on palestinian non-violence, and a trans/genderqueer poetry collectionPosted: June 10, 2013
Just a short post today to direct you to a few cool things:
- Award-winning Ugandan playwright Deborah Asiimwe‘s new show Cooking Oil centers around the murder of an East African girl who was illegally selling cooking oil to pay for school. From Cooking Oil’s website: “Layering traditional and contemporary music, dance, chant, and images and material of aid, this production playfully interrogates in/dependence and the gaze at a suffering Other.” The play just had its US premiere over the weekend.
- Written in Arabic, Irene Nasser‘s new graphic novel tells the story of the nonviolent resistance of Palestinian residents in the West Bank village of Budrus. A fifteen-year-old girl named Iltizam began protesting alongside the village boys, participated in their fathers’ strategy talks, and encouraged the girls at school to join her in peaceful demonstrations to replant trees pulled up by bulldozers. If you can’t read Arabic, you might take a look at Julia Bacha’s award-winning documentary on Budrus and Iltizam’s mother, Ayed Morar, who organized the action while her daughter galvanized the community.
- Nightboat Books has published the “first-ever collection of poetry by trans and genderqueer writers.” Edited by TC Tolbert and Tim Trace Peterson, Troubling the Line: Trans and Genderqueer Poetry and Poetics boasts 55 diverse poets along with their individual “poetic statements.”