expanding the “beloved community”

446px-Martin_Luther_King_Jr_NYWTS_4Today is Martin Luther King, Jr. Day here in the US, so I want to point you to some excellent creative work being done to change power relations in different parts of the world. King was adamant about recognizing how injustices around the world are connected, reminding us that the “destiny of the United States is tied up with the destiny of India and every other nation.”

No matter where you are in the world, decide today to make your work less insular. Find similar groups in other countries, explore art from a different continent, and notice how the same themes resonate. Paying attention to what people are doing on the ground thousands of miles away can change the way you see your community, your work, and the world.

First, reconciliation through music! Drumming is traditionally a male activity in Rwanda, but twenty women, both Hutu and Tutsi, came together to form Ingoma Nshya, a powerful drum ensemble spreading a message of healing. These are women who lived through the Rwandan genocide, and they came to the group  with no musical background. Now they play all over the world and have even performed in the war-torn Democratic Republic of the Congo several times.

Next, Mary Sibande is a South African artist working in Johannesburg. Her mixed media installations feature Sophie, Sibande’s alter ego, a domestic worker whose fantasy world reveals the queen inside. In numerous countries, women of color are seen primarily as domestic workers, but Sophie shows us layers and depths that cannot be ignored. Full of life and energy, Sibande’s work demands attention, and Sophie’s shocking blue dress stays with me, as though printed right on the brain. I love them all, but particularly Her Majesty Queen Sophie and I’m a Lady.

Finally, New York-based artist Mickalene Thomas‘s paintings explore female identity and redefine beauty. Her colorful, pulsing work makes me want to dance, and, in fact, she did the cover art for Solange’s EP True. She’s inspired by the kind of women she grew up around, especially her mother, saying, “It’s what I know and what I respect—someone who believes in herself and stands her ground, who doesn’t act according to what society deems as acceptable and expresses herself, her sexuality, her femininity.” Thomas uses the afro to represent that kind of empowered energy and rhinestones to question beauty standards. I love her 2008 album; A Moment’s Pleasure Number 2 and Tamika Sur Une Chaise Longue are standouts.

So whose work are you celebrating today? What other artists, writers, musicians, actors, dancers, crafters, and the like infuse their work with themes of justice, equality, freedom, peace, and love? How are you growing your beloved community?

 

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phenomenal african women in music, theatre, fiction, and visual art

pink_blue_bag

Pink / Blue Plastic Bag
Sokari Douglas Camp, 2010
Materials: Steel Perspex Plastic
Housed: Stux Gallery, USA

Last week I got into a Facebook argument with someone I didn’t know on a friend’s page. I was a bit embarrassed, as I normally ignore stupid Facebook comments from complete strangers and I didn’t want to turn my friend’s page into my own little soapbox, but he said something I just couldn’t let go.

The guy prefaced his comment by admitting it was ethnocentric and then said the entire continent of Africa is a shithole that has nothing to offer the rest of the world and he has no interest in anything that happens there.

I…I just–I couldn’t let it go. I had to say something. So I said something about imperialism and racial hegemony and recognizing our own roles in the various struggles in various parts of Africa.

As expected, he figured I was a hypocrite because what I had ever done for Africa?

Well, for one thing, I don’t freaking shut an entire continent out of my life because I can’t be bothered with its misery. In fact, I actively engage with issues in Africa though my work in women’s advocacy and enjoy, in particular, music from Mali, food from Ethiopia, and literature from Egypt. Furthermore, I recognize that Africa is made up of countries and cultures that are distinctive and complex and is not just a big pile of shit, thank you very much.

Can you tell I’m still a bit angry?

Sometimes I think I’ve become an angrier person since the internet invaded my life. There’s so much to be upset about!

Let’s all take a deep breath and pour a glass of smoky scotch to soothe us.

The good thing is that there’s a lot to love and cherish and celebrate too. Like this piece on how Western feminists could learn a thing or two from Africa’s many women leaders (64% of the Rwandan parliament, for instance). That’s why I decided to share with you some of my favorite African women working in creative fields today. If you aren’t already familiar with them, you will love them.

  • Chimamanda Ngozi Adichie: What can I even say about this woman? She writes like a graceful beast, stomping right through your heart on her toes. From Nigeria, Adichie is the author of, among other books, Purple Hibiscus, Half of a Yellow Sun (which won the Orange Prize), and the recently released Americanah. She’s also given two kick-ass TED talks, “The danger of a single story” and “We should all be feminists.” Yes, ma’am, please, and thank you.
  • Ama Aita Aidoo: Poet, playwright, and author Aidoo writes about women challenging traditional gender roles in Ghana. Check out her novel Changes, which follows Elsi, who leaves her husband after he rapes her and then enters a polygamous relationship.
  • Tsitsi Dangarembga: This Zimbabwean writer published her first book, the award-winning Nervous Conditions, when she was only 28. It was one of the best works I read in graduate school. She also created the story for Neria, one of the most successful films of Zimbabwe.
  • Sokari Douglas Camp: A sculptor from Nigeria, Douglas Camp works out of London. Her medium is steel, and she draws from Nigerian culture (more specifically, her Kalibari heritage) and such issues as war, oil, death, gender, and race. Her work looks homemade and industrial at the same time; it is shiny, dark, and bright at once. I love Yoruba Ladies, Sharia Fubara, and Saint.
  • Mariam Doumbia: One half of musical duo Amadou & Mariam, Doumbia went blind as a child, like her guitar player and fellow vocalist, Amadou Bagayoko, whom she met at Mali’s Institute for the Young Blind. Last year saw the release of their eighth album, Folila. Listen to “Dougou Badia,” which features Santigold, whose voice blends nicely with Doumbia’s.
  • Nadine Gordimer: A Nobel Prize winner, Gordimer writes of race and politics in South Africa. Her award-winning novel The Pickup deals with the alien feeling of being an immigrant. She is also known for her work against apartheid and for HIV prevention.
  • Tracey Rose: Based in South Africa, Rose explores identity, gender, race, and the body through performance, video installations, and photography. Her 2001 video installation Ciao Bella, which offers images of iconic women “taunt[ing] one another’s historical time zones and scoff[ing] at one another’s histories and politics,” has been described as “a shambolic, operatic, feminist parody of Leonardo Da Vinci’s Last Supper (1495–8).” I ask you: does it get better than that?
  • Nawal El Saadawi: An Egyptian feminist writer and doctor, El Saadawi wrote, among other books, Woman at Point Zero, about a woman forced into prostitution who receives a death sentence for killing her pimp. The story was based on a real prisoner. El Saadawi, a former political prisoner, is a big advocate for women’s rights and speaks out against female genital mutilation.
  • Rokia Traoré: This Malian musician performed in and wrote the music for Toni Morrison’s play Desdemona, shared a song with Half the Sky‘s 30 Songs/30 Days, and recorded with Kronos Quartet. She is smart and bold, and she plays the hell out of her guitar. Her album Beautiful Africa just came out.